It
doesn’t take long for a synchro swimmer to start talking a new language at
home! Does this sound familiar?: “Hey
Mom and Dad! Today I learned how to scull
to hold a vertical so I can one day do a nice hybrid. And I’m really tired from all that eggbeatering! What’s for dinner?” The language of synchro!
In
this first of two parts, ANA Synchro demystifies the terminology used in our
sport for its most basic moves. Our
youngest athletes start learning these techniques right away for a solid
foundation from which to grow. And our
most experienced athletes continue to strengthen their basic techniques so they
can more effortlessly do the more complicated and flashy synchro moves.
Eggbeatering under the water allows athletes to perform artistic movements above the water. |
Eggbeater - the alternating, circular movement of the legs that keeps a swimmer’s upper body steady and out of the water during a routine. Some people may think it is simply “treading water,” but it requires much more core than ordinary treading and involves a specific technique – just like the motion of the eggbeater in your kitchen – that allows for athletic and artistic movements above the water.
Sculling -
the propulsive moves a swimmer makes with her
hands and forearms. In synchronized
swimming, we have about 10 different types of sculls for different purposes. Some enable you to stay stationary while
executing a move with your legs; others allow you to spin; still others enable
you to travel through the water.
Athletes accomplish the difficult vertical position by support sculling underwater. |
Vertical -
the position where both legs are together and above the surface of the water. Athletes achieve this difficult position by engaging
their core and using the support scull motion with their arms. Many increasingly difficult moves are
possible once an athlete has mastered a basic vertical.
The Ballet Leg Position - athletes are laying on the water with one leg perpendicular to the surface. |
Ballet
Leg -
a position where the swimmer is ‘laying’ on the surface of the water and one
leg is perpendicular to their body.
Requires flexibility, core control, and strong sculling technique. Anyone who doubts whether synchro is hard
should try a “simple-looking” ballet leg next time they’re in the pool!
Athletes spend much time working on figures because they account for 50% of their score at competitions. |
Figures -
a collection of the most basic moves of synchro which are performed in a very
slow, controlled fashion in competitions.
Figures are important to practice because they account for half of a
routine’s final score at a competition. There
are 8 different figures for each age group, and they get progressively more
difficult as girls get older.
Hybrid -
a sequence of leg movements performed while the swimmer is underwater in a
routine. A typical hybrid can last 10-15
seconds, with the most challenging lasting about 30-40 seconds. Hybrids, especially long hybrids, require synchronized
swimmers to have a high aerobic capacity as well as flexibility, core control,
and strength to maintain muscle control throughout the movement.
Readers
– are there other synchro terms that you’re wondering about? Write to us in the comments section below or
send us an email to synchroana@gmail.com,
and we’ll try to feature them in an upcoming blog!
And
stay tuned for Part 2 of Synchro Terminology where we’ll define terms used in
synchro competitions and performances.
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